Filmmaking Simplified: Create an Inviting YouTube Subscription Button in Filmora

How to Make Your YouTube Animated Subscribe Button Easily With Filmora

Richard Bennett

Mar 27, 2024• Proven solutions

The main goal of every content creator is to increase its audience to expand its reach and views. To do so, it’s essential to provide something unique and different to the viewer. Without providing them the content they are looking for, it is impossible to grow your channel and reach. Once your content is ready and you are getting many views, it is essential to make these potential viewers your permanent viewers. The animated subscribe button will help you achieve this goal. While your viewers are watching your videos, you must remind them about subscribing to your channel for receiving such incredible content in the future. Subscribe animation plays a vital role in converting your viewers into subscribers.

There are so many platforms on the internet from where you can get Youtube subscribe button animation free, and you can also purchase these subscribe png gifs. But creating your own animated subscribe button can make you stand out from the crowd and make your videos unique and exclusive. Because it enables you to design it the way you want according to your brand, so, let’s create your own subscribe animation using Wondershare Filmora .

---

Step-By-Step guide

Step 1: To get started,open Filmora X. On your upper left corner, click on the “Sample Colors,” select the Green color and drag it to Video Track into the timeline. We are using a Green background to easily remove it using the green screen feature in Filmora to use it in our future projects after exporting it, without creating it again. Adjust the duration of this track according to your requirement. In my case, I am trying to make an animated subscribe button of 5 seconds.

Step 2: Lock this track by clicking on the lock icon to work on subscribe animation without disturbing the background easily.

Step 3: Now it’s time to design the subscribe png gif. Go to the Sample colors again and drag the red color into the time above the green background.

Step 4: Double click on the red color in the timeline and adjust its size. Make it look like a subscribe button that is a rectangle and place it at the bottom center of the background. You can put it anywhere you want it to appear in your future videos.

Step 5: Now, let’s add Subscribe text into the button. Go to the Title and select any style that you like. “Basic 6” will work perfectly fine for this purpose. Drag and drop it into the timeline above all tracks.

Step 6: Double click on the Title on the timeline and edit it with “Subscribe” and place it under the red rectangle and click OK.

Step 7: We have put a cursor that can click on the animated subscribe button. You can use Google Search to find a transparent cursor. Make sure to save it in png format. Download it and import it into Filmora.

Step 8: Drag and drop the cursor into the timeline and place it above all the other three tracks to make it prominent. Adjust the size of the cursor place it on the Subscribe button where you want it to appear.

Step 9: Now, it’s time to animate the design using keyframes. First of all, let’s animate the red rectangle. Double click on the red color on the timeline. Go to the ‘Animation’ tab and then click ‘Customize.’ Move to the 1 second in the timeline and click ‘Add.’

Step 10: Now go back to the beginning in the timeline and adjust the scale to 0%. It will make the rectangle pop up when you play the clip.

Step 11: Text needs to be animated as well to match it with the rectangle. Double click on the text in the timeline and click ‘ADVANCED.’

Step 12: In this Advance text editor, go to the ‘Animation’ tab and select any animation that you like. On the timeline under the preview screen, adjusts the dark areas according to the time you set on the rectangle, which was 1 second. We want the text to appear on the screen in 1 second, like the rectangle. Also, adjust the ending time when you want the text to disappear again. We have set it on 4 seconds. Which means it will start to fade after 4 seconds.

Step 13: Now, to animate the mouse cursor, we will use the same process we used for a rectangle that is key framing. Double click on the cursor track on the timeline and move the time on your timeline to a point when you want the cursor to appear. Now add a key frame by clicking ‘Add’.

Step 14: Now jump back to a point in your timeline, when the cursor will start appearing from outside the screen. Move the cursor outside the screen from where you want it to start moving toward the subscribe animation.

Step 15: To animate the click of the cursor, move ahead a little bit into your timeline and scale down the cursor to around 70%. Move it a little further and scale it up to 100%.

Step 16: You can add the sound of mouse click to make it more realistic. You can find this sound anywhere on the internet. Download it and import it into Filmora. Now place it into the timeline where it can match the movement of the cursor.

Step 17: Now it’s time to make this subscribe animation button disappear. Move forward into the time to the end, at around 4 seconds. Double click on the red button in the timeline and add a key frame at its actual scale.

Step 18: After that, move further in the timeline to the end and make its scale 0. It will make it disappear.

Step 19: Do the same with the cursor. Double click on the cursor in the time and add a key frame at its actual position.

Step 20: Move ahead when you want it to disappear. Move the cursor out of the screen and click ‘OK’.

Step 21: Your Subscribe png gif is ready to be exported and used in your videos. Click on export and choose from various formats and options to choose from while exporting it.

You may also like: How to Get People to Subscribe Channel

Conclusion：Your own Animated Subscribe Button is ready to be used in your future videos and projects. This is a ready-to-use subscribe button that can be easily used using the green screen effect in Filmora. Just import the clip, remove the green screen, and you are good to go. You can also customize this Subscribe Animation using your channel and more. Keep experimenting with new things using Filmora.

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Mar 27, 2024• Proven solutions

The main goal of every content creator is to increase its audience to expand its reach and views. To do so, it’s essential to provide something unique and different to the viewer. Without providing them the content they are looking for, it is impossible to grow your channel and reach. Once your content is ready and you are getting many views, it is essential to make these potential viewers your permanent viewers. The animated subscribe button will help you achieve this goal. While your viewers are watching your videos, you must remind them about subscribing to your channel for receiving such incredible content in the future. Subscribe animation plays a vital role in converting your viewers into subscribers.

There are so many platforms on the internet from where you can get Youtube subscribe button animation free, and you can also purchase these subscribe png gifs. But creating your own animated subscribe button can make you stand out from the crowd and make your videos unique and exclusive. Because it enables you to design it the way you want according to your brand, so, let’s create your own subscribe animation using Wondershare Filmora .

---

Step-By-Step guide

Step 1: To get started,open Filmora X. On your upper left corner, click on the “Sample Colors,” select the Green color and drag it to Video Track into the timeline. We are using a Green background to easily remove it using the green screen feature in Filmora to use it in our future projects after exporting it, without creating it again. Adjust the duration of this track according to your requirement. In my case, I am trying to make an animated subscribe button of 5 seconds.

Step 2: Lock this track by clicking on the lock icon to work on subscribe animation without disturbing the background easily.

Step 3: Now it’s time to design the subscribe png gif. Go to the Sample colors again and drag the red color into the time above the green background.

Step 4: Double click on the red color in the timeline and adjust its size. Make it look like a subscribe button that is a rectangle and place it at the bottom center of the background. You can put it anywhere you want it to appear in your future videos.

Step 5: Now, let’s add Subscribe text into the button. Go to the Title and select any style that you like. “Basic 6” will work perfectly fine for this purpose. Drag and drop it into the timeline above all tracks.

Step 6: Double click on the Title on the timeline and edit it with “Subscribe” and place it under the red rectangle and click OK.

Step 7: We have put a cursor that can click on the animated subscribe button. You can use Google Search to find a transparent cursor. Make sure to save it in png format. Download it and import it into Filmora.

Step 8: Drag and drop the cursor into the timeline and place it above all the other three tracks to make it prominent. Adjust the size of the cursor place it on the Subscribe button where you want it to appear.

Step 9: Now, it’s time to animate the design using keyframes. First of all, let’s animate the red rectangle. Double click on the red color on the timeline. Go to the ‘Animation’ tab and then click ‘Customize.’ Move to the 1 second in the timeline and click ‘Add.’

Step 10: Now go back to the beginning in the timeline and adjust the scale to 0%. It will make the rectangle pop up when you play the clip.

Step 11: Text needs to be animated as well to match it with the rectangle. Double click on the text in the timeline and click ‘ADVANCED.’

Step 12: In this Advance text editor, go to the ‘Animation’ tab and select any animation that you like. On the timeline under the preview screen, adjusts the dark areas according to the time you set on the rectangle, which was 1 second. We want the text to appear on the screen in 1 second, like the rectangle. Also, adjust the ending time when you want the text to disappear again. We have set it on 4 seconds. Which means it will start to fade after 4 seconds.

Step 13: Now, to animate the mouse cursor, we will use the same process we used for a rectangle that is key framing. Double click on the cursor track on the timeline and move the time on your timeline to a point when you want the cursor to appear. Now add a key frame by clicking ‘Add’.

Step 14: Now jump back to a point in your timeline, when the cursor will start appearing from outside the screen. Move the cursor outside the screen from where you want it to start moving toward the subscribe animation.

Step 15: To animate the click of the cursor, move ahead a little bit into your timeline and scale down the cursor to around 70%. Move it a little further and scale it up to 100%.

Step 16: You can add the sound of mouse click to make it more realistic. You can find this sound anywhere on the internet. Download it and import it into Filmora. Now place it into the timeline where it can match the movement of the cursor.

Step 17: Now it’s time to make this subscribe animation button disappear. Move forward into the time to the end, at around 4 seconds. Double click on the red button in the timeline and add a key frame at its actual scale.

Step 18: After that, move further in the timeline to the end and make its scale 0. It will make it disappear.

Step 19: Do the same with the cursor. Double click on the cursor in the time and add a key frame at its actual position.

Step 20: Move ahead when you want it to disappear. Move the cursor out of the screen and click ‘OK’.

Step 21: Your Subscribe png gif is ready to be exported and used in your videos. Click on export and choose from various formats and options to choose from while exporting it.

You may also like: How to Get People to Subscribe Channel

Conclusion：Your own Animated Subscribe Button is ready to be used in your future videos and projects. This is a ready-to-use subscribe button that can be easily used using the green screen effect in Filmora. Just import the clip, remove the green screen, and you are good to go. You can also customize this Subscribe Animation using your channel and more. Keep experimenting with new things using Filmora.

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Mar 27, 2024• Proven solutions

The main goal of every content creator is to increase its audience to expand its reach and views. To do so, it’s essential to provide something unique and different to the viewer. Without providing them the content they are looking for, it is impossible to grow your channel and reach. Once your content is ready and you are getting many views, it is essential to make these potential viewers your permanent viewers. The animated subscribe button will help you achieve this goal. While your viewers are watching your videos, you must remind them about subscribing to your channel for receiving such incredible content in the future. Subscribe animation plays a vital role in converting your viewers into subscribers.

There are so many platforms on the internet from where you can get Youtube subscribe button animation free, and you can also purchase these subscribe png gifs. But creating your own animated subscribe button can make you stand out from the crowd and make your videos unique and exclusive. Because it enables you to design it the way you want according to your brand, so, let’s create your own subscribe animation using Wondershare Filmora .

---

Step-By-Step guide

Step 1: To get started,open Filmora X. On your upper left corner, click on the “Sample Colors,” select the Green color and drag it to Video Track into the timeline. We are using a Green background to easily remove it using the green screen feature in Filmora to use it in our future projects after exporting it, without creating it again. Adjust the duration of this track according to your requirement. In my case, I am trying to make an animated subscribe button of 5 seconds.

Step 2: Lock this track by clicking on the lock icon to work on subscribe animation without disturbing the background easily.

Step 3: Now it’s time to design the subscribe png gif. Go to the Sample colors again and drag the red color into the time above the green background.

Step 4: Double click on the red color in the timeline and adjust its size. Make it look like a subscribe button that is a rectangle and place it at the bottom center of the background. You can put it anywhere you want it to appear in your future videos.

Step 5: Now, let’s add Subscribe text into the button. Go to the Title and select any style that you like. “Basic 6” will work perfectly fine for this purpose. Drag and drop it into the timeline above all tracks.

Step 6: Double click on the Title on the timeline and edit it with “Subscribe” and place it under the red rectangle and click OK.

Step 7: We have put a cursor that can click on the animated subscribe button. You can use Google Search to find a transparent cursor. Make sure to save it in png format. Download it and import it into Filmora.

Step 8: Drag and drop the cursor into the timeline and place it above all the other three tracks to make it prominent. Adjust the size of the cursor place it on the Subscribe button where you want it to appear.

Step 9: Now, it’s time to animate the design using keyframes. First of all, let’s animate the red rectangle. Double click on the red color on the timeline. Go to the ‘Animation’ tab and then click ‘Customize.’ Move to the 1 second in the timeline and click ‘Add.’

Step 10: Now go back to the beginning in the timeline and adjust the scale to 0%. It will make the rectangle pop up when you play the clip.

Step 11: Text needs to be animated as well to match it with the rectangle. Double click on the text in the timeline and click ‘ADVANCED.’

Step 12: In this Advance text editor, go to the ‘Animation’ tab and select any animation that you like. On the timeline under the preview screen, adjusts the dark areas according to the time you set on the rectangle, which was 1 second. We want the text to appear on the screen in 1 second, like the rectangle. Also, adjust the ending time when you want the text to disappear again. We have set it on 4 seconds. Which means it will start to fade after 4 seconds.

Step 13: Now, to animate the mouse cursor, we will use the same process we used for a rectangle that is key framing. Double click on the cursor track on the timeline and move the time on your timeline to a point when you want the cursor to appear. Now add a key frame by clicking ‘Add’.

Step 14: Now jump back to a point in your timeline, when the cursor will start appearing from outside the screen. Move the cursor outside the screen from where you want it to start moving toward the subscribe animation.

Step 15: To animate the click of the cursor, move ahead a little bit into your timeline and scale down the cursor to around 70%. Move it a little further and scale it up to 100%.

Step 16: You can add the sound of mouse click to make it more realistic. You can find this sound anywhere on the internet. Download it and import it into Filmora. Now place it into the timeline where it can match the movement of the cursor.

Step 17: Now it’s time to make this subscribe animation button disappear. Move forward into the time to the end, at around 4 seconds. Double click on the red button in the timeline and add a key frame at its actual scale.

Step 18: After that, move further in the timeline to the end and make its scale 0. It will make it disappear.

Step 19: Do the same with the cursor. Double click on the cursor in the time and add a key frame at its actual position.

Step 20: Move ahead when you want it to disappear. Move the cursor out of the screen and click ‘OK’.

Step 21: Your Subscribe png gif is ready to be exported and used in your videos. Click on export and choose from various formats and options to choose from while exporting it.

You may also like: How to Get People to Subscribe Channel

Conclusion：Your own Animated Subscribe Button is ready to be used in your future videos and projects. This is a ready-to-use subscribe button that can be easily used using the green screen effect in Filmora. Just import the clip, remove the green screen, and you are good to go. You can also customize this Subscribe Animation using your channel and more. Keep experimenting with new things using Filmora.

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Mar 27, 2024• Proven solutions

The main goal of every content creator is to increase its audience to expand its reach and views. To do so, it’s essential to provide something unique and different to the viewer. Without providing them the content they are looking for, it is impossible to grow your channel and reach. Once your content is ready and you are getting many views, it is essential to make these potential viewers your permanent viewers. The animated subscribe button will help you achieve this goal. While your viewers are watching your videos, you must remind them about subscribing to your channel for receiving such incredible content in the future. Subscribe animation plays a vital role in converting your viewers into subscribers.

There are so many platforms on the internet from where you can get Youtube subscribe button animation free, and you can also purchase these subscribe png gifs. But creating your own animated subscribe button can make you stand out from the crowd and make your videos unique and exclusive. Because it enables you to design it the way you want according to your brand, so, let’s create your own subscribe animation using Wondershare Filmora .

---

Step-By-Step guide

Step 1: To get started,open Filmora X. On your upper left corner, click on the “Sample Colors,” select the Green color and drag it to Video Track into the timeline. We are using a Green background to easily remove it using the green screen feature in Filmora to use it in our future projects after exporting it, without creating it again. Adjust the duration of this track according to your requirement. In my case, I am trying to make an animated subscribe button of 5 seconds.

Step 2: Lock this track by clicking on the lock icon to work on subscribe animation without disturbing the background easily.

Step 3: Now it’s time to design the subscribe png gif. Go to the Sample colors again and drag the red color into the time above the green background.

Step 4: Double click on the red color in the timeline and adjust its size. Make it look like a subscribe button that is a rectangle and place it at the bottom center of the background. You can put it anywhere you want it to appear in your future videos.

Step 5: Now, let’s add Subscribe text into the button. Go to the Title and select any style that you like. “Basic 6” will work perfectly fine for this purpose. Drag and drop it into the timeline above all tracks.

Step 6: Double click on the Title on the timeline and edit it with “Subscribe” and place it under the red rectangle and click OK.

Step 7: We have put a cursor that can click on the animated subscribe button. You can use Google Search to find a transparent cursor. Make sure to save it in png format. Download it and import it into Filmora.

Step 8: Drag and drop the cursor into the timeline and place it above all the other three tracks to make it prominent. Adjust the size of the cursor place it on the Subscribe button where you want it to appear.

Step 9: Now, it’s time to animate the design using keyframes. First of all, let’s animate the red rectangle. Double click on the red color on the timeline. Go to the ‘Animation’ tab and then click ‘Customize.’ Move to the 1 second in the timeline and click ‘Add.’

Step 10: Now go back to the beginning in the timeline and adjust the scale to 0%. It will make the rectangle pop up when you play the clip.

Step 11: Text needs to be animated as well to match it with the rectangle. Double click on the text in the timeline and click ‘ADVANCED.’

Step 12: In this Advance text editor, go to the ‘Animation’ tab and select any animation that you like. On the timeline under the preview screen, adjusts the dark areas according to the time you set on the rectangle, which was 1 second. We want the text to appear on the screen in 1 second, like the rectangle. Also, adjust the ending time when you want the text to disappear again. We have set it on 4 seconds. Which means it will start to fade after 4 seconds.

Step 13: Now, to animate the mouse cursor, we will use the same process we used for a rectangle that is key framing. Double click on the cursor track on the timeline and move the time on your timeline to a point when you want the cursor to appear. Now add a key frame by clicking ‘Add’.

Step 14: Now jump back to a point in your timeline, when the cursor will start appearing from outside the screen. Move the cursor outside the screen from where you want it to start moving toward the subscribe animation.

Step 15: To animate the click of the cursor, move ahead a little bit into your timeline and scale down the cursor to around 70%. Move it a little further and scale it up to 100%.

Step 16: You can add the sound of mouse click to make it more realistic. You can find this sound anywhere on the internet. Download it and import it into Filmora. Now place it into the timeline where it can match the movement of the cursor.

Step 17: Now it’s time to make this subscribe animation button disappear. Move forward into the time to the end, at around 4 seconds. Double click on the red button in the timeline and add a key frame at its actual scale.

Step 18: After that, move further in the timeline to the end and make its scale 0. It will make it disappear.

Step 19: Do the same with the cursor. Double click on the cursor in the time and add a key frame at its actual position.

Step 20: Move ahead when you want it to disappear. Move the cursor out of the screen and click ‘OK’.

Step 21: Your Subscribe png gif is ready to be exported and used in your videos. Click on export and choose from various formats and options to choose from while exporting it.

You may also like: How to Get People to Subscribe Channel

Conclusion：Your own Animated Subscribe Button is ready to be used in your future videos and projects. This is a ready-to-use subscribe button that can be easily used using the green screen effect in Filmora. Just import the clip, remove the green screen, and you are good to go. You can also customize this Subscribe Animation using your channel and more. Keep experimenting with new things using Filmora.

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Navigating Lenses for Professional Videography

A Vlogger’s Guide To Camera Lenses

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett